| Born: |
Arlington, MA, 1954. Lives and works in New York City. |
Education:
| 1988 |
Tufts University, BFA |
| 1977-78 |
Cooper Union, New York, East Coast Exchange Program |
| 1974-78 |
Boston Museum School; Fifth Year Certificate 1980 |
Awards:
| 1980, 1984 |
Museum of Fine Arts, Boston, Travelling Fellowship |
Solo Exhibitions:
| 2006 |
Judy Ann Goldman Fine Art, Boston, Model Boy |
|
2004
|
Camel Mennour, Paris
|
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Matthew Marks Gallery, New York |
| 2003 |
Judy Ann Goldman Fine Art, Boston |
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M. & R. Fricke Gallery, Dusseldorf and Berlin |
| 2002 |
Scalo Gallery, Zurich |
| |
Matthew Marks Gallery, New York |
| 2001 |
M. & R. Fricke Gallery, Dusseldorf and Berlin |
| |
Bangs St. Gallery, Provincetown, MA |
| 2000 |
Joao Graca, Lisbon |
| 1999 |
M.&R. Fricke Gallery, Dusseldorf and Berlin |
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Matthew Marks Gallery, New York |
| |
Judy Ann Goldman Fine Art, Boston |
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Bangs St. Gallery, Provincetown, MA |
| 1998 |
Galerie Barbara Farber/Rob Jurka, Amsterdam |
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Ugo Ferranti, Rome |
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M.&R. Fricke Gallery, Dusseldorf and Berlin |
| 1997 |
Yvon Lambert, Paris |
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Scalo Gallery, Zurich |
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Bangs Street Gallery, Provincetown, MA |
| |
Matthew Marks Gallery, New York |
| 1996 |
Judy Ann Goldman Fine Art, Boston |
| 1995 |
Matthew Marks Gallery, New York |
| 1994 |
Galerie Bruno Brunet, Berlin (with Nan Goldin) |
| |
Museum Fur Gestaltung, Zurich (with Nan Goldin) |
| 1993 |
Matthew Marks Gallery, New York |
| 1980 |
Jeffrey Hudson Gallery, New York |
| 1977 |
Hudson Gallery, Boston (with Nan Goldin) |
Group Exhibitions:
| 2002 |
Whitney Museum of American Art, NY, Visions from America |
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Dallas Museum of Art, Recent Acquisitions |
| 2001 |
F.I.T., New York, Dreaming in Print: A Decade of Visionaire |
| |
Brooke Alexander, NY, City |
| |
Matthew Marks Gallery, NY, Tenth Anniversary Exhibition |
| |
Judy Ann Goldman Fine Art, Boston, Building Dwelling Thinking |
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Galerie Lothar Albrecht, Frankfurt, Places & People |
| 2000 |
DeCordova Museum, Lincoln, Photography in Boston: 1955-1985 |
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Marlborough Graphics, NY, New Editions |
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Bang St. Gallery, Provincetown, OFaces |
| 1999 |
American Federation of the Arts, New York, Gardens |
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Marlborough Gallery, NY, Views from the Edge of the World |
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Scalo Gallery, NY, ODavid Armstrong/Paul Bowles |
| |
Baroness Lambert Collection, Hamburg |
| 1998 |
Hamburg, Kunsthalle, Emotions and Relations |
| |
Judy Ann Goldman Fine Art, Boston, Kind of Blue |
| 1997 |
White Columns, New York, Blind Spot Exhibition |
| 1996 |
Marlborough Graphics, New York, Photogravure: A Survey |
| |
Cesena Modern and Contemporary Art Gallery, Adicere Animos |
| 1995 |
Whitney Museum of American Art, New York, Biennial |
| |
Regen Projects, Los Angeles, Armstrong, Barker, Horsfield |
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I.C.A. Boston, The Boston School |
| |
Judy Ann Goldman Fine Art, Boston, Camera Craft |
| 1994 |
24 Hours for Life Gallery, New York, Pride in Our Diversity |
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Whitney Museum of American Art, From the Collection |
| 1993 |
Tom Cugliani Gallery, New York, Saints in the City |
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Barbara Braathen Gallery New York, Urban Analysis |
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Galeries de Photo de FNAC, Paris, L'Amerique de Nan Goldin |
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Tacheles, Berlin, Aerarier |
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Galerie Im Kabinet, Berlin, Group Photo Show |
| |
Kunstraum Elbschloss, Hamburg, Love Again |
| 1992 |
Tom Cugliani, New York, Some People |
| 1991 |
St. Lawrence University, New York, A Queer Diary |
| 1990 |
Cooper Union, New York, The Electric Blanket |
| |
P.S. 122, New York, Portraits |
| 1989 |
Artists' Space, New York, Against Our Vanishing |
| 1985 |
Patrick Fox Gallery, New York |
| |
Vision Gallery, Boston |
| 1984 |
Museum of Fine Arts, Boston, Travelling Fellows |
| 1983 |
Patrick Fox Gallery, New York |
| 1981 |
P.S. 1, Long Island City, New York, New Wave (curated by Diego Cortez) |
| 1980 |
Museum of Fine Arts, Boston, Travelling Fellows |
Books by David Armstrong:
| 2002 |
David Armstrong: All Day Every Day, Scalo, Zurich |
| 1997 |
David Armstrong: The Silver Cord, Scalo, Zurich |
| 1994 |
Nan Goldin/David Armstrong: A Double Life, Scalo, Zurich |
Selected Publications:
| 2002 |
Visionaire #38 Love |
| 2000 |
Visionaire #31 Blue and #32 Where |
| 1998 |
Gundlach, F.C.; Emotions and Relations, Hamburger Kunsthalle |
| |
The Male Nude, David Leddick, editor, Rizzoli |
| 1996 |
Nickerson, Camila, and Wakefield, Neville; Fashion Photography of the Nineties, Scalo, Zurich 1994 Visionaire #12, Desire |
| 1993 |
Gatermann, Birgit and Hart, Cludia; Love Again, Kunstraum |
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Elbschloss, Hamburg, Germany |
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Druck, Sally; Aerarier, Twcheles, Berlin, Germany |
| 1980 |
Goldin, Nan; Witnesses Against our Vanishing, Artists Space, New York, NY |
Bibliography:
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Aletti, Vince; Falling in Love with Love..., Village Voice, Feb. 13, 2004 |
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Photography: David Armstrong The New Yorker, Feb. 4, 2002 |
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Aletti, Vince; Photo; David Armstrong The Village Voice, Feb. 2002 |
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Shot through the Heart, V Magazine, Jan./Feb. 2002 |
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For the Trees, Blind Spot, Issue 16, 2000 |
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David Armstrong and Nan Goldin Talk Nostalgia V Magazine, Mar. 2000 |
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Johnson, Ken, Galleries: Chelsea The New York Times, October 22, 1999 |
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Aletti, Vince; Buena Vista The Village Voice, April 20, 1999 |
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Hicks, Robert; Blurring reality for a clearer picture of it, The Villager, March 31, 1999 |
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McQuaid, Cate; Off the Wall; reveries in wood; his art has legs The Boston Globe, March 18, 1999 |
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Hill, Shawn; A calculated success Bay Windows, March 11, 1999 |
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David Armstrong Bomb, Summer 1999 |
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Miller, Jake; Images of Private Dreams The New York Times Book Review, July 27, 1997 |
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Times Square, New York Times Magazine, May 18, 1997 |
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Coming of Age, Blind Spot, Issue 9, Spring 1997 |
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Yablonsky, Linda; New Romantic: Photographer David Armstrong Finds the |
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Limelight in Black and White Out Magazine, April 1997 |
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Grundberg, Andy; I'll Be Your Mirror The New York Times Book Review, |
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Dec. 8, 1996 |
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Glueck, Grace; When Faster and Cheaper Is Not Necessarily Better The New |
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York Times, July 26, 1996 |
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Nemser, Rebecca; The Wild Bunch, Boston Magazine, Jan. 1996 |
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Colurso, Mary; Picture This: David Armstrong New Haven Register, May 7, 1995, pp. E1, E2 |
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Kimmelman, Michael; A Quirky Whitney Biennial The New York Times, March 24, 1995 |
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Cotter, Holland; A Critic's Dozen to Catch at the Biennial The New York |
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Times, March 12, 1995, Section 2, p.37, ill. |
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Goldberger, Paul; The Next 15 Minutes in Art Are in His Hands: Klaus |
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Kertess And the Making of the Whitney Biennial The New York Times Magazine, Feb. 26, 1995, pp.30-39, ill. |
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Pierson, Jack and McCann, Richard; Provincetown, Late 70's: David Armstrong's Photographs Provincetown Arts, 1994. |
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Hormann, Egbert; Fotografie aus Doppelter Perspektive Euros, 1994, No.21, ill. |
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McQuaid, Cate; Seeing Double: Nan Goldin and David Armstrong Collaborate in Art and Life The Boston Phoenix, Oct. 4, 1994 |
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Gross, Fred; Peep Show The Advocate, August 1994, pp.115-116 |
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Hazera, Helene; Goldin et Armstrong: Le Double Jue Liberation, 29 August 1994, pp30-31 |
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Toshihiro, Ito; Dream and Sediment deja-vu, no, 16, Spring 1994, pp. 109- 111 |
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Weil, Benjamin; Nan Goldin, David Armstrong, Gotscho: The Unbearable |
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Lightness of Being Flash Art, March/April 1994 |
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Choon,Angela; Desire for Identity Art and Antiques, March 1994 |
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Guerrin, Michel; L;image Coup de Poing Le Monde, 15 December 1993 |
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Aletti, Vince; L'Amerique de Nan Goldin Sommaire, no. 27, Sep.-Dec. 1993, pp. 16,24, ill. |
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Aletti, Vince; Listings The Village Voice, 20 April 1993 |
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Smith, Roberta; Some People The New York Times, 9 October 1992 |
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Nalley, John; Witness This Out Week, 10 December 1989
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Collections:
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Boston Museum of Fine Arts |
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Dallas Museum of Art |
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De Cordova Museum and Sculpture Park, Lincoln, MA |
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Fogg Art Museum, Harvard University |
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Yvon Lambert Foundation |
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Moderna Museet, Stockholm |
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New York Public Library |
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Whitney Museum of American Art, NYC |
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