|
|
|
|
|
Education:
|
MFA, Cranbrook Academy of Art, Bloomfield Hills, MI |
|
BA, University of Michigan/The Residential College, Ann Arbor, MI |
Grants/Fellowship:
| 2006 |
Peter S. Reed Foundation Grant, New York, NY |
| |
Mid-Atlantic Arts Foundation Creative Fellowship Grant, NY, NY |
| |
Visual Arts Center of Richmond, VA |
| 2001 |
Pollock-Krasner Foundation Grant, New York, NY |
| |
Fellowship, Special Editions, Lower East Side Printshop, New York, NY |
| |
Grant for Artist’s Projects, Artist Trust, Seattle, WA |
| |
|
Solo Exhibitions:
| 2007 |
Judy Ann Goldman Fine Art, Boston, Dangle, Dart, & Drift |
| |
Pentimenti Gallery, Philadelphia, Drawing and Sculpture |
2006
|
Brooklyn Botanic Garden, Steinhardt Conservatory Gallery, Brooklyn, Nature Unbound |
| 2005 |
Kiang Gallery, Atlanta, Drawings |
| |
Visual Arts Center of Richmond, Richmond, VA On-Site Artist Projects |
| 2004 |
Pentimenti Gallery, Philadelphia, New Work |
| 2002 |
Esther Claypool Gallery, Seattle, Recent Work |
| |
Esther Claypool Gallery, Seattle, New Work: Drawings and Sculpture |
| 1999 |
Scottsdale Museum of Contemporary Art, Scottsdale, AZ Wall Project |
| 1998 |
Cummings Art Center, Connecticut College, New London, CT |
| |
Boise Art Museum, Boise, ID |
Group Exhibitions:
|
Flushing Town Hall, Flushing, Queens, Oasis |
|
Romo Gallery, Atlanta, GA |
| |
Bridge Art Fair, (Romo Gallery), Chicago |
| |
Susan Maasch Gallery, Portland, Maine |
|
Conduit Gallery, Dallas, The Drawing Show |
| |
Visual Art Center of Richmond, Richmond, VA, Garden |
|
Fosdick-Nelson Gallery, Alfred University, Alfred, NY, Ornament Now |
| |
Pentimenti Gallery, Philadelphia, PA and the Affordable Art Fair, New York, Takeout |
| |
Pentimenti Gallery, Philadelphia, Fleurs |
|
Maryland Art Place, Baltimore, Mid-Atlantic Fellowship Exhibition |
|
The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, Heavenly |
| |
Elaine Jacob Gallery, Wayne State University, Detroit, White on White |
2004
|
Margaret Thatcher Projects, New York, Arthouse |
| 2003 |
Visual Art Center, Richmond, VA, North American Sculpture NOW |
|
World Ceramic Center, Icheon, South Korea, Second World Ceramic Biennale, 2003 Korea |
| |
Workspace, New York, Tasty Buds |
| |
Society of Arts and Crafts, Boston, Botanical Exhibition |
| 2002 |
International Print Center, New York, New Prints 2002 |
| |
Margaret Thatcher Projects, New York, Dreamy: 3-Person Show |
| 2001 |
Esther Claypool Gallery, Seattle, 2-Person Show |
| |
Yoju, Korea, World Ceramic Exhibition 2001 Korea |
| |
Holter Museum, Helena, MT, Archie Bray Foundation 50th Anniversary Exhibition (traveling until 2005) |
| |
Cranbrook Network, Cranbrook Museum of Art, Bloomfield Hills, MI, The Clarity of Seduction III |
| |
Arvada Center for the Arts, Denver, A Glimpse of the Invisible, Invitational |
| 1997 |
Ann Nathan Gallery, Chicago, Navy Pier, Chicago, Sculpture, Objects, Functional Art |
| |
Center of Contemporary Art, Seattle, PONCHO Artist Group Show |
| |
Artist Trust Invitational Exhibition, Seattle, Grant for Artists Projects |
Bibliography:
|
Erin Szento, Flower Power, In New York Magazine, July 2006 |
|
Jerry Cullum, Intricate Drawings Bring Beauty, Intimacy of Flora to Life, Atlantic Journal-Constitution, Jan.8, 2006 |
|
Craig Kellog, Currents, The New York Times, July 1, 2004 |
|
R.B. Strauss, Move It – Pentimenti … offers up a monumental show, Art Matters, Philadelphia, March 2004 |
|
Lori Hill, First Friday Focus – Pentimenti Gallery, Philadelphia City Paper, March 11, 2004 |
|
Emily Hall, In Arts News, The Stranger, January 30, 2003 |
|
Kate Wagle,Votive Influences: 4 Amer. Artists Per Grazia Ricevuta, a cura Tropputi, Malagrina Editore, 2002 |
|
John M Wilson, A Glimpse of the Invisible, Ceramics Art and Perception (Australia), Issue 49, 2002 |
|
Ken Johnson, Dreamy; Margaret Thatcher Projects, The New York Times, April 19, 2002 |
|
Peter Held, A Ceramic Continuum – 50 Years of the Archie Bray Influence University of Washington Press, 2001 |
|
Mason Riddle, Review; Nancy Blum, Sculpture Magazine, March 1999 |
|
William Zimmer, Art Bucolic or Upsetting, Suburbs as Locus, The New York Times (CT section) Nov. 29, 1998 |
Public Collections:
|
The MTA Arts for Transit, Metro-North, Dobbs Ferry Station, NY |
|
The Port of Seattle, Sea/Tac International Airport, Seattle, WA |
|
World Ceramic Exposition Foundation, Icheon, South Korea |
|
The Scottsdale Museum of Contemporary Art, Scottsdale, AZ |
|
The University of Washington Medical Center, Seattle, WA |
|
The Archie Bray Foundation, Helena, MT |
|
The Lower East Printshop, New York, NY |
|
The Arvada Center for the Arts, Arvada, Colorado |
|
The Boise Art Museum, Boise, ID |
|
Capital One, Richmond, VA |
|
Seattle City Light, Seattle, WA |
|
Safeco Corporation, Seattle, WA |
| Paul Allen Corporate Collection, Seattle, WA |
| Wellington Management, Boston, MA |
Public-Art Commissions:
|
MTA Arts for Transit: commission for artwork at Metro-North train station, Dobbs Ferry Station, NY |
|
Charlotte Area Transit System: commission for artwork at transit stations, Charlotte, NC |
|
Port of Seattle: artwork for the South Terminal, Sea-Tac Airport, Seattle |
|
Seattle Arts Commission, City of Seattle, Manhole Cover Design, Seattle |
|
|
|
|