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| Peter Edlund |
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| Born: |
Hartford, CT, 1959. Lives and works in New York. |
Solo Exhibitions:
| 2004 |
Homeland Security, Judy Ann Goldman Fine Art, Boston |
| 2001/2 |
Primal Visions: Albert Bierstadt ‘Discovers’ America: (traveling) |
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Montclair Art Museum, Montclair, NJ |
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Columbus Art Museum, Columbus, Ohio |
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Crocker Art Museum, Sacramento, CA |
| 2001 |
Another America, GAGA, NYC |
| 2000 |
Majestic America Jack Shainman Gallery, NYC, |
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Real Art Ways in conjunction with the Wadsworth Atheneum, Hartford |
| 1998 |
Jack Shainman Gallery, NYC |
| 1996 |
Jack Shainman Gallery, NYC |
| 1995 |
White Columns, NYC |
| 1992 |
District of Columbia Arts Center, Washington, DC |
| 1991 |
Mincher-Wilcox Gallery, San Francisco |
| 1990 |
Sweet Dreams New Langton Arts, San Francisco |
| 1989 |
In This House, Southern Exposure, San Francisco |
| 1986 |
XS Gallery, Carson City, Nevada |
Group Exhibitions:
| 2008 |
Ornithology: Looking at Birds, University of Connecticut, Contemporary Art Galleries, Storrs, CT |
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Repositioning the Landscape, Westport Arts Center, Westport, CT |
| 2007 |
The Power of Place, Judy Ann Goldman Fine Art, Boston |
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Emily Dickinson Rendered, Wave Hill, Bronx, NY |
| 2006 |
On Reservation: Native American History and Culture in Contemporary Art, Aldrich Museum, Ridgefield, CT |
| 2004 |
Images of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, CUNY |
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Birdspace: A Post-Audubon Artists Aviary : Contemporary Arts Center, New Orleans; Frederick Weisman Museum of Art, Pepperdine Univ., Malibu; McDonough Museum of Art, Youngstown State Univ., Youngstown OH |
| 2003 |
Fast Forward: 20 Years of White Rooms, White Columns, NYC |
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Hothouse, NY Academy of Sciences, NYC |
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20 Years/20 Artists, The Lab, San Francisco |
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After Matisse-Picasso, P.S.1 Contemporary Art Center, Queens, NY |
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Tainted Landscape, Wesleyan University Art Gallery, Middletown CT |
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Whiteness: A Wayward Construction, Laguna Art Museum, Laguna Beach, CA |
| 2002 |
Judy Ann Goldman Fine Arts, Boston, Postmodern Pastoral |
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Greg Kucera Gallery, Seattle, Sweet and Wild |
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Greg Kucera Gallery, Seattle, States of the Union |
| 2001 |
Glyndor Gallery, Wave Hill, Bronx, NY. |
| 1999/01 |
Botanica: Contemporary Art and the World of Plants (traveling show) Tweed Museum of Art, University of Minnesota; Illinois State University;Carleton College, Northfield, MN;Alexandria Museum of Art, Alexandria, LA; Tarble Arts Center, Eastern Illinois University; Chicago Cultural Center; University Gallery, University of Delaware; Kresge Art Museum, Michigan State University; Western Gallery, Western Washington University; Cheekwood Museum of Art, Nashville; Selby Botanical Gardens, Sarasota, FL; Robert Hull Fleming Museum, University of VT |
| 2000 |
Gardens of Pleasure, Kohler Arts Center, Sheboygan, WI |
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Transcending Earth and Sky, University Art Gallery, San Diego State University |
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The Swamp: On the Edge of Eden, Harn Museum of Art, University of Florida, Gainesville |
| 1998 |
Flora, Elise Goodheart Fine Arts, Sag Harbor, NY (curated by Douglas Maxwell) |
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Diving Nature, Southeastern Center of Contemporary Art, Winston-Salem, NC |
| 1997 |
Better Color Through Chemistry, Islip Art Museum, East Islip, NY |
| 1996 |
Destiny Manifest: American Landscape Painting in the Nineties, Harn Museum of Art, University of Florida, Gainesville |
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Untitled, Jack Shainman Gallery, NYC |
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Matters of the Heart, Haines Gallery, San Francisco |
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Incestuous, Thread Waxing Space, NYC |
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Shadow Play, Institute of Contemporary Art, San Jose |
| 1995 |
Update White Columns, NYC, |
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Fairytales Do Come True Summer Song Gallery, Seattle |
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Art Without Borders Ecole du Versant, Larouche, Quebec, Canada |
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Project Exhibit Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore |
| 1994 |
Some Like it Hot Jack Shainman Gallery, NYC |
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Promising Suspects Aldrich Museum of Contemporary Art, Ridgefield, CT |
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Blessed Virgin Rubber Company (Collaborative Installation with Jay Critchley) Boston Center for the Arts, Boston;DNA Gallery, Provincetown, MA; Institute of Contemporary Art, Boston |
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Intimate Observations, Baxter Gallery, Maine College of Art, Portland, ME |
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Wary Still, Highways Exhibition Space, Santa Monica |
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20th Aniversary Show, Southern Exposure, San Francisco |
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Winter Salon, Lee Arthur Studio, NYC
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New Old Masters Center for the Arts, San Francisco |
| 1993 |
Body Parts, Haines Gallery, San Francisco |
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Urgent Nostagia Center on Contemporary Art, Seattle |
| 1992 |
Transformations Fine Art Studio, NYC |
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Perverse Nature Mincher-Wilcox Gallery, San Francisco |
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Still Lives, Zen Center Hospice Guest House, San Francisco |
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Corollaries of Apprehension: West Coast Painting, Oliver Art Center, California College of Arts and Crafts, Oakland |
| 1991 |
Erotic Drawing, San Francisco Art Space |
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Viscera, Southern Exposure, San Francisco |
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Personal Mythologies, Marc Richards Gallery, Santa Monica |
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Art and the Forbidden, Student Union Gallery, San Francisco State University |
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Dark Ages, San Francisco Arts Commission Gallery |
| 1990 |
AIDS-SIDA, Real Art Ways, Hartford, CT (curated by Anne Pasternak) |
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Inside-Out: Voices from Home, Walter-McBean Gallery, San Francisco Institute of Art |
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Sweat Dreams, New Langton Arts, San Francisco |
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Think Tank, San Francisco |
Bibliography:
| 2003 |
Gomez, Edward M., "Reimagining the Landscape," Art & Antiques, October |
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Goldner, Liz, "What's White" Orange County Metro Magazine, Summer |
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Campbell, Clayton, "The Last White Art Show" Flash Art, Oct/Nov |
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Carasso, Roberta, "Whiteness: A Wayward Constructon", Artweek, June |
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Roediger, David, "I Came for the Art", Art Papers Magazine, May/June |
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Myers, Holly, "White Noise", LA Weekly, April 24 |
| 2002 |
McQuaid, Cate, "Artists don't gloss over Nature", Boston Globe, June 19 |
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Sozanski, Edward, "Works that imitate or exploit nature", Philadelphia Enquirer, Feb 9 |
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Hackett, Regina, "Contemporary Visions...", Seattle Post-Intelligencer March 15 |
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Farr, Sheila, "Kucera again shows knack...", Seattle Times, March 15 |
| 2001 |
Sheets, Hillarie, “Paradise Lost? Artists Reinvent the Landscape" Art News, March |
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“Tainted History”, Time Out New York, August 2 |
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Chambers, Christopher, "Picks", NY Arts, November |
| 2000 |
Bagg, Mary, “Ah, Wilderness!”, The Valley Advocate, August 31 |
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Zimmer, William, “Summer Exhibitions, Ghosts, and Wee Folk” The New York Times, August 27 |
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McNally, Owen, “The Good Old Days?” The Hartford Courant, June 15 |
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Pincus, Robert, “Landscapes: Old Passion with New, Darker Side” The San Diego Union-Tribune, April 23. |
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Dannatt, Adrian, “Our Choice of New York Contemporary Galleries” The Art Newspaper, February |
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Korotkin, Joyce, “Majestic America at Jack Shainman” The New York Art World, February |
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"Transcending Earth and Sky", Exhibition catalogue, San Diego State University Art Gallery |
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"The Swamp: On the Edge of Eden", Exhibition catalogue, Harn Museum of Art, University of Florida, Gainesville |
| 1999 |
"Botanica: Contemporary Art and the World of Plants", Exhibition catalogue, Tweed Museum of Art, University of Minnesota |
| 1998 |
Shottendirk, Dena, “Letter from New York (Peter Edlund at Jack Shainman)” C Magazine September-November |
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Dougherty, Linda Johnson, “Diving Nature” Art Papers, September-October |
| 1997 |
Gomez, Edward M., "Greenhouse Effect: Under Peter Edlund’s Care, Paintings Bloom", Art & Antiques, March |
| 1996 |
Arning, Bill, “Peter Edlund at Jack Shainman” Time Out New York, June 19 |
| 1995 |
Helfand, Glen, “Gardens of Decay” Men’s Style, March/April |
| 1994 |
Zimmer, William, “In Ridgefield, Works by 15 Painters and Sculptors” New York Times, December 18 |
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Levi-Strauss, David, “Take As Needed:Theraputic Art and Images in Context” Art Issues, October |
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Rosenberg, Barry, “Promising Suspects” Exhibition catalogue |
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Baker, Kenneth. “Celebrating the Alternative” San Francisco Chronicle, June 5 |
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Bonetti, David, San Francisco Examiner, April 29 |
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Hawley-Ruppel, Wendy, “New Old Masters”, Exhibition catalogue |
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Tanner, Marcia, “Usable Past”, Artweek, May 19 |
| 1993 |
Frohman, Mark, “Without” Public News, Houston, TX, March 3 |
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Levi-Strauss, David, “Without” Art Forum, Summer Edition |
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Sprinkle, Susan, Northern California Home and Gardens, January |
Awards:
| 2006 |
Pollock Krasner Award |
| 2005 |
MacDowell Colony, Artists Resdence |
| 1999 |
MacDowell Colony, Artists Resdence |
| 1998 |
MacDowell Colony, Artists Resdence |
| 1997 |
Milton Avery Fellowship |
| 1997 |
MacDowell Colony, Artists Resdence |
| 1995 |
Artists Fellowship, Inc. Grant |
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