Homeland Security, Judy Ann Goldman Fine Art, Boston
2001/2
Primal Visions: Albert Bierstadt ‘Discovers’ America: (traveling)
Montclair Art Museum, Montclair, NJ
Columbus Art Museum, Columbus, Ohio
Crocker Art Museum, Sacramento, CA
2001
Another America, GAGA, NYC
2000
Majestic America Jack Shainman Gallery, NYC,
Real Art Ways in conjunction with the Wadsworth Atheneum, Hartford
1998
Jack Shainman Gallery, NYC
1996
Jack Shainman Gallery, NYC
1995
White Columns, NYC
1992
District of Columbia Arts Center, Washington, DC
1991
Mincher-Wilcox Gallery, San Francisco
1990
Sweet Dreams New Langton Arts, San Francisco
1989
In This House,Southern Exposure, San Francisco
1986
XS Gallery, Carson City, Nevada
Group Exhibitions:
2008
Ornithology: Looking at Birds, University of Connecticut, Contemporary Art Galleries, Storrs, CT
Repositioning the Landscape, Westport Arts Center, Westport, CT
2007
The Power of Place, Judy Ann Goldman Fine Art, Boston
Emily Dickinson Rendered, Wave Hill, Bronx, NY
2006
On Reservation: Native American History and Culture in Contemporary Art, Aldrich Museum, Ridgefield, CT
2004
Images of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, CUNY
Birdspace: A Post-Audubon Artists Aviary : Contemporary Arts Center, New Orleans; Frederick Weisman Museum of Art, Pepperdine Univ., Malibu; McDonough Museum of Art, Youngstown State Univ., Youngstown OH
2003
Fast Forward: 20 Years of White Rooms, White Columns, NYC
Hothouse, NY Academy of Sciences, NYC
20 Years/20 Artists, The Lab, San Francisco
After Matisse-Picasso, P.S.1 Contemporary Art Center, Queens, NY
Tainted Landscape, Wesleyan University Art Gallery, Middletown CT
Whiteness: A Wayward Construction, Laguna Art Museum, Laguna Beach, CA
2002
Judy Ann Goldman Fine Arts, Boston, Postmodern Pastoral
Greg Kucera Gallery, Seattle, Sweet and Wild
Greg Kucera Gallery, Seattle, States of the Union
2001
Glyndor Gallery, Wave Hill, Bronx, NY.
1999/01
Botanica: Contemporary Art and the World of Plants (traveling show) Tweed Museum of Art, University of Minnesota; Illinois State University;Carleton College, Northfield, MN;Alexandria Museum of Art, Alexandria, LA; Tarble Arts Center, Eastern Illinois University; Chicago Cultural Center; University Gallery, University of Delaware; Kresge Art Museum, Michigan State University; Western Gallery, Western Washington University; Cheekwood Museum of Art, Nashville; Selby Botanical Gardens, Sarasota, FL; Robert Hull Fleming Museum, University of VT
2000
Gardens of Pleasure, Kohler Arts Center, Sheboygan, WI
Transcending Earth and Sky, University Art Gallery, San Diego State University
The Swamp: On the Edge of Eden, Harn Museum of Art, University of Florida, Gainesville
1998
Flora, Elise Goodheart Fine Arts, Sag Harbor, NY (curated by Douglas Maxwell)
Diving Nature, Southeastern Center of Contemporary Art, Winston-Salem, NC
1997
Better Color Through Chemistry, Islip Art Museum, East Islip, NY
1996
Destiny Manifest: American Landscape Painting in the Nineties, Harn Museum of Art, University of Florida, Gainesville
Untitled, Jack Shainman Gallery, NYC
Matters of the Heart, Haines Gallery, San Francisco
Incestuous, Thread Waxing Space, NYC
Shadow Play, Institute of Contemporary Art, San Jose
1995
Update White Columns, NYC,
Fairytales Do Come True Summer Song Gallery, Seattle
Art Without Borders Ecole du Versant, Larouche, Quebec, Canada
Project Exhibit Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore
1994
Some Like it Hot Jack Shainman Gallery, NYC
Promising Suspects Aldrich Museum of Contemporary Art, Ridgefield, CT
Blessed Virgin Rubber Company (Collaborative Installation with Jay Critchley) Boston Center for the Arts, Boston;DNA Gallery, Provincetown, MA; Institute of Contemporary Art, Boston
Intimate Observations, Baxter Gallery, Maine College of Art, Portland, ME
Wary Still, Highways Exhibition Space, Santa Monica
20th Aniversary Show, Southern Exposure, San Francisco
Winter Salon, Lee Arthur Studio, NYC
New Old Masters Center for the Arts, San Francisco
1993
Body Parts, Haines Gallery, San Francisco
Urgent Nostagia Center on Contemporary Art, Seattle
1992
Transformations Fine Art Studio, NYC
Perverse Nature Mincher-Wilcox Gallery, San Francisco
Still Lives, Zen Center Hospice Guest House, San Francisco
Corollaries of Apprehension: West Coast Painting, Oliver Art Center, California College of Arts and Crafts, Oakland
1991
Erotic Drawing, San Francisco Art Space
Viscera, Southern Exposure, San Francisco
Personal Mythologies, Marc Richards Gallery, Santa Monica
Art and the Forbidden, Student Union Gallery, San Francisco State University
Dark Ages, San Francisco Arts Commission Gallery
1990
AIDS-SIDA, Real Art Ways, Hartford, CT (curated by Anne Pasternak)
Inside-Out: Voices from Home, Walter-McBean Gallery, San Francisco Institute of Art
Sweat Dreams, New Langton Arts, San Francisco
Think Tank, San Francisco
Bibliography:
2003
Gomez, Edward M., "Reimagining the Landscape," Art & Antiques, October
Goldner, Liz, "What's White" Orange County Metro Magazine, Summer
Campbell, Clayton, "The Last White Art Show" Flash Art, Oct/Nov
Carasso, Roberta, "Whiteness: A Wayward Constructon", Artweek, June
Roediger, David, "I Came for the Art", Art Papers Magazine, May/June
Myers, Holly, "White Noise", LA Weekly, April 24
2002
McQuaid, Cate, "Artists don't gloss over Nature", Boston Globe, June 19
Sozanski, Edward, "Works that imitate or exploit nature", PhiladelphiaEnquirer, Feb 9
Hackett, Regina, "Contemporary Visions...", Seattle Post-Intelligencer March 15
Farr, Sheila, "Kucera again shows knack...", Seattle Times, March 15
2001
Sheets, Hillarie, “Paradise Lost? Artists Reinvent the Landscape" ArtNews, March
“Tainted History”, Time Out New York, August 2
Chambers, Christopher, "Picks", NY Arts, November
2000
Bagg, Mary, “Ah, Wilderness!”, The Valley Advocate, August 31
Zimmer, William, “Summer Exhibitions, Ghosts, and Wee Folk” The NewYork Times, August 27
McNally, Owen, “The Good Old Days?” The Hartford Courant, June 15
Pincus, Robert, “Landscapes: Old Passion with New, Darker Side” The San Diego Union-Tribune, April 23.
Dannatt, Adrian, “Our Choice of New York Contemporary Galleries” The Art Newspaper, February
Korotkin, Joyce, “Majestic America at Jack Shainman” The New York Art World, February
"Transcending Earth and Sky", Exhibition catalogue, San Diego State University Art Gallery
"The Swamp: On the Edge of Eden", Exhibition catalogue, Harn Museum of Art, University of Florida, Gainesville
1999
"Botanica: Contemporary Art and the World of Plants", Exhibition catalogue, Tweed Museum of Art, University of Minnesota
1998
Shottendirk, Dena, “Letter from New York (Peter Edlund at Jack Shainman)” C Magazine September-November
Dougherty, Linda Johnson, “Diving Nature” Art Papers, September-October
1997
Gomez, Edward M., "Greenhouse Effect: Under Peter Edlund’s Care, Paintings Bloom", Art & Antiques, March
1996
Arning, Bill, “Peter Edlund at Jack Shainman” Time Out New York, June 19
1995
Helfand, Glen, “Gardens of Decay” Men’s Style, March/April
1994
Zimmer, William, “In Ridgefield, Works by 15 Painters and Sculptors” New York Times, December 18
Levi-Strauss, David, “Take As Needed:Theraputic Art and Images in Context” Art Issues, October
