Warren Mather's ceramic murals are made using a process he has developed of transposing digital photographs onto silk-screens which are then printed with ceramic glaze onto wet clay, bisque fired, glazed and fired again. By piecing together photographic data Mather constructs composite horizontal, vertical and circular panoramas, which document his multiple observations made perambulating the streets of Boston. Recording what is above, in front and behind him Mather “uses the camera as an all-seeing eye that does not accept the convention of a rectangular cropped frame or narrow forward-looking single moment”. His objective is to establish a holistic, subjective impression of the urban experience, its conflicting and engulfing gestalt.